Twin Peaks In the concluding shots of David Lynch’s 1986 film Blue Velvet, a robin perches on a windowsill. The motif of the robin is repeated throughout the film and its visit marks the end of the surreal and nightmarish events experienced by those small town characters. The image of a bird set against a suburban landscape was revisited four years later by Lynch, this time in the opening shot of the title sequence for his celebrated cult series Twin Peaks, co-created by Mark Frost. —more—
Pop-upView Separately

Twin Peaks

In the concluding shots of David Lynch’s 1986 film Blue Velvet, a robin perches on a windowsill. The motif of the robin is repeated throughout the film and its visit marks the end of the surreal and nightmarish events experienced by those small town characters. The image of a bird set against a suburban landscape was revisited four years later by Lynch, this time in the opening shot of the title sequence for his celebrated cult series Twin Peaks, co-created by Mark Frost.

—more—

Source: artofthetitle.com

15 Notes/ Hide

  1. haphazardmangos reblogged this from imageoscillite
  2. weaklungz reblogged this from imageoscillite
  3. ufosareglam reblogged this from imageoscillite
  4. devil-wears-primark reblogged this from indieandyy
  5. monsterbeard said: Man, TP’s opening sequence will ALWAYS stir up something inside me
  6. indieandyy posted this

Recent comments

Blog comments powered by Disqus